Vittorio Gnecchi (1860-1950) was an Italian composer, conductor, and musicologist known for his contributions to late Romantic and early modern classical music. Gnecchi's work spans various genres, including opera, orchestral, and chamber music. He is particularly noted for his operas, with "La Cenerentola" (1910) and "Donne di buon umore" (1917) being among his most significant contributions. His opera "Crispino e la Comare" showcases his ability to blend lyrical melodies with rich orchestration. Gnecchi was also a prominent figure in music education and advocacy, focusing on the promotion of Italian music and culture. He played a crucial role in the development of musicology in Italy, influencing future generations of musicians and scholars. His efforts to revive interest in lesser-known Italian composers of the past have left a lasting impact on the preservation of Italy's musical heritage. Despite being overshadowed by his contemporaries, Gnecchi's works have gained renewed interest in recent decades, illustrating the importance of his contributions to the musical landscape of the early 20th century. His commitment to both composition and music education marks him as a significant figure in Italian music history.